Cristin-prosjekt-ID: 2566290
Sist endret: 8. januar 2024, 11:34

Cristin-prosjekt-ID: 2566290
Sist endret: 8. januar 2024, 11:34
Prosjekt

How Norway Made the World Whiter

prosjektleder

Ingrid Halland
ved Institutt for lingvistiske, litterære og estetiske studier ved Universitetet i Bergen

prosjekteier / koordinerende forskningsansvarlig enhet

  • Institutt for lingvistiske, litterære og estetiske studier - fakultet ved Universitetet i Bergen

Finansiering

  • TotalbudsjettNOK 12.000.000
  • Norges forskningsråd
    Prosjektkode: 334659

Klassifisering

Vitenskapsdisipliner

Arkitektur- og designhistorie • Kunsthistorie

Emneord

Historisk geologi • Kunstnerisk forskning • Fargeteori • Modernisme • Arkitekturteori • Miljøhumaniora • Industrihistorie • Modernisering • Miljøhistorie

Kategorier

Prosjektkategori

  • Grunnforskning

Kontaktinformasjon

Sted
Ingrid Halland

Tidsramme

Aktivt
Start: 1. februar 2023 Slutt: 31. desember 2028

Beskrivelse Beskrivelse

Tittel

How Norway Made the World Whiter

Populærvitenskapelig sammendrag

The research project ʻHow Norway Made the World Whiterʼ (NorWhite) studies a Norwegian innovation; the white pigment titanium dioxide in a historical, aesthetic, and critical lens—focusing on how the pigment transformed surfaces in art, architecture, and design. The primary research question is: What are the cultural and aesthetic changes instigated by titanium white and TiO2 surfaces – and how can both the material in itself and these changes be conceptualized and made visible? NorWhite connects challenging topics - whiteness, technological innovation, and mass-exploitation of natural resources - in a single case study. The project will do this through an interdisciplinary research design grounded in an original and creative humanities approach that merges art history and artistic research.

To operationalize the overall objective, NorWhite is divided in interlinked Work Packages with different size and scope: WP1) Archival research – building a database from a vast never-before studied archive, WP2) Norwegian white – investigating narratives of white aesthetics, modernism, and national identity, WP3) White context – understanding white color in art, architecture and design in a wider context, WP4) Artistic research – visualizing aesthetic properties from TiO2 to smart materials, and WP5) contextualizing by research-based exhibition making and extensive public engagement and outreach in collaborations with public institutions and industry stakeholders. 

By weaving together historical, critical, aesthetic, and artistic methods with public engagement, curating, and research-based exhibitions, NorWhite will reveal a complex and challenging story of how a local Norwegian innovation came to have planetary consequences. 

The major outcomes of the project will be an international symposium, a two-weeks research studio open to the public, two edited books, and two research-based exhibitions.

www.tio2project.com

Vitenskapelig sammendrag

NorWhite is the first large-scale research project that will connect the challenging topics: whiteness, technological innovation, and mass-exploitation of natural resources in a single case study. The project will do this through an interdisciplinary research design grounded in an original and creative humanities approach that merges art history and artistic research. NorWhite will study the Norwegian innovations the chemical compound titanium dioxide and the white pigment titanium white in a historical, aesthetic, and critical lens—focusing on how the innovations transformed surfaces in art, architecture, and design—in order to show how aesthetic transformation is driven by technological development. 

The overall objective of NorWhite is to critically investigate the cultural and aesthetic preconditions of a complex and unexplored part of Norwegian technology and innovation history that has—as this project claims—made the world whiter. To operationalize the overall objective, NorWhite will conduct ground-breaking analyses of five interlinked WPs with different size and scope: WP1) Archival research – building a database from a vast never-before studied archive, WP2) Norwegian white – investigating narratives of white aesthetics, modernism, and national identity, WP3) White context – understanding white color in art, architecture and design in a wider context, WP4) Artistic research – visualizing aesthetic properties from TiO2 to smart materials, and WP5) contextualizing by research-based exhibition making and extensive public engagement and outreach in collaborations with public institutions and industry stakeholders. 

By weaving together historical, critical, aesthetic, and artistic methods with public engagement and outreach, NorWhite reveals a complex and challenging story of how a local Norwegian innovation came to have planetary consequences.

www.tio2project.com

prosjektdeltakere

prosjektleder
Aktiv cristin-person

Ingrid Halland

  • Tilknyttet:
    Prosjektleder
    ved Institutt for lingvistiske, litterære og estetiske studier ved Universitetet i Bergen
Aktiv cristin-person

Marte Johnslien

  • Tilknyttet:
    Prosjektdeltaker
    ved Avdeling Kunst og håndverk ved Kunsthøgskolen i Oslo

Tonje Haugland Sørensen

  • Tilknyttet:
    Prosjektdeltaker
    ved Institutt for lingvistiske, litterære og estetiske studier ved Universitetet i Bergen

Helene Engnes Birkeli

  • Tilknyttet:
    Prosjektdeltaker
    ved Institutt for lingvistiske, litterære og estetiske studier ved Universitetet i Bergen

Janne Werner Olsrud

  • Tilknyttet:
    Prosjektdeltaker
    ved Kulturhistorie og museologi ved Universitetet i Oslo
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Resultater Resultater

Titanium Dioxide: An Arts-Based Archeology of an Unsettling Pigment.

Halland, Ingrid. 2024, The Archeology of the Event. AHO, UIOVitenskapelig foredrag

TiO2 Synergies: Methods in arts-based humanities .

Halland, Ingrid; Johnslien, Marte. 2023, Faculty Research Day. KHIO, UIBFaglig foredrag

TiO2 Prøvefelt.

Halland, Ingrid; Johnslien, Marte. 2023, ROM studio. KHIO, UIBKunstutstilling

Is White Paint Racist? Archival Gaps and Public Participation as Methods in Art Historical Research.

Halland, Ingrid. 2023, Rethinking Art Historical Narratives and Canons. UIBFaglig foredrag

Gaea Norvegica.

Johnslien, Marte. 2023, Separatutstilling. KHIOKunstutstilling
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