Sammendrag
How can they remember full-length high-intensity dynamic ballets with super small detailed movement connections, millimetre-precise space placements in ballets they did a long time ago?
The unique part of a dancer’s performance is that the whole body, at any time, is involved in the meeting with the floor, the music, the costumes, the objects. The dancer remembers specific patterns, in intricate rhythms, often during the hundredth of a second, and they have to be at the right place at the right time, everything shall in moment after moment integrate in the meeting with the audience. - Publisert som nettside med støtte fra KUF-utvalget ved Kunsthøgskolen i Oslo
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