Screened Visions/National Visions

Considering dominant cinema’s emergence at a time when nation building and propaganda film was working together to disseminate nationalist ideologies- the forerunner of today’s digital screen language perfected binaries between us and them, good and evil and the inside/ outside of national borders. How can we as producers of screen material of today create resistance with the same medium that came about as a producer of ideological ‘truths’ funded on these very binaries? What strategies could serve as tools to question manufactured truths working to forth nationalist visions and neoliberal values that has situated us within the current moment? What daring strategies could potentially undo subjectivities and build new imaginaries breaking with canonised pasts pre-empting undesired futures?