John Howland

Professor
ved Institutt for musikk ved Norges teknisk-naturvitenskapelige universitet

Klassifisering Klassifisering

Vitenskapsdisipliner

Musikkvitenskap

Emneord

Populærmusikkforskning • Jazz studier • Media Studies

Kontaktinformasjon Kontaktinformasjon

me.com jlhowland

Resultater Resultater

Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.

Howland, John Louis. 2023, Oxford University Press. NTNUVitenskapelig Kapittel/Artikkel/Konferanseartikkel

Conversations on Art and Life: Music and the Middlebrow.

Howland, John Louis; Hammill, Faye; Guthrie, Kate. 2022, Book launch discussion. NTNU, UoB, UoGPopulærvitenskapelig foredrag

Nobrow in the New Millennium?: The Postminimalist Affinities of New York's Indie Rock and Indie Classical Communities in the 2000s.

Howland, John Louis. 2022, Classical Music in Contemporary Media and Society. NTNUVitenskapelig foredrag

Book launch presentation: John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music'.

Howland, John Louis. 2022, Book launch presentation. NTNUPopulærvitenskapelig foredrag

Paul Whiteman and Modern Metropolitan Impressions, 1927–1940.

Howland, John Louis. 2022, PAUL WHITEMAN IN AMERICAN MUSIC: A Symposium at Williams College Bernhard Music Center August 27, 2022. NTNUVitenskapelig foredrag

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Utmerkelser Utmerkelser

2023 - Society for Music Theory’s 2023 award for “Outstanding Multi-Author Collection” for “Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks,” edited by William Moylan, Lori Burns, Mike Alleyne (chapter contributed to)
2021 - H. Earle Johnson Book Subvention award, Society for American Music
2021 - American Musicological Society Publication Subvention Award, supported by the National Endowment for the Humanities and the Andrew W. Mellon Foundation
2020 - American Musicological Society publication subvention award for the 2021 book, "Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music"
2019 - American Musicological Society’s Ruth Solie Award for “outstanding collection of essays” for “The Relentless Pursuit of Tone: Timbre in Popular Music,” edited by Robert Fink, Melinda Latour, and Zachary Wallmark (chapter contributed to)
2015 - Center for Popular Music Studies at Case Western Reserve University, Rock and Roll Hall of Fame Library and Archives, Research Fellowship
2013 - Humanities Faculty Research/Travel Grant
2008 - Book publication subvention award, American Musicological Society, Lloyd Hibberd Publication Fund
2008 - Invited fellow for the eighth annual Mannes Institute for Advanced Studies in Music Theory, “Jazz Meets Pop,” at the Eastman School of Music, Rochester, NY
2007 - Association of Learned and Professional Society Publishers, Charlesworth Award for Best New Journal 2007, for Jazz Perspectives
2003 - Faculty Fellow Researcher-Lecturer in the Division of Humanities, Arts and Cultural Studies, University of California at Davis.
2003 - Finalist (one of four) for the Society for American Music’s 2002 best dissertation prize.
2000 - Margaret H. Whiting Dissertation Fellowship Award (year-long dissertation write-up fellowship award)
2000 - Benny Carter Jazz Research Award from the Rutgers Institute of Jazz Studies.