Cristin-resultat-ID: 2248631
Sist endret: 27. februar 2024, 15:23
NVI-rapporteringsår: 2023
Resultat
Vitenskapelig Kapittel/Artikkel/Konferanseartikkel
2023

Co-Creatives Spaces: The machine as a collaborator

Bidragsytere:
  • Notto Johannes Windju Thelle og
  • Bernt Isak Grave Wærstad

Bok

Proceedings of the International Conference on New Interfaces for Musical Expression

Utgiver

Universidad Autónoma Metropolitana

Serie

Proceedings of the International Conference on New Interfaces for Musical Expression
ISSN 2220-4792
e-ISSN 2220-4806
NVI-nivå 1

Om resultatet

Vitenskapelig Kapittel/Artikkel/Konferanseartikkel
Publiseringsår: 2023
Hefte: 2023
Sider: 244 - 250
Open Access

Klassifisering

Vitenskapsdisipliner

Informasjons- og kommunikasjonsteknologi • Musikkvitenskap

Emneord

Menneske-maskin-grensesnitt • Musikk improvisasjon • Maskinlæring • Kunstig intelligens • Musikkteknologi

Fagfelt (NPI)

Fagfelt: Musikkvitenskap
- Fagområde: Humaniora

Beskrivelse Beskrivelse

Tittel

Co-Creatives Spaces: The machine as a collaborator

Sammendrag

People have always used new technology to experiment with new forms of music creation. However, the latest developments in artificial intelligence (AI) suggest that machines are on the verge of becoming more than mere tools—they can also be co-creators. In this article, we follow four musicians in the project Co-Creative Spaces through a sixmonth-long collaborative process, where they created music by improvising with each other and with computer-based imitations of themselves. These musical agents were trained through machine learning to generate output in the style of the musicians. What happens to musical co-creation when AI is included in the creative cycle? The musicians are from Norway and Kenya—two countries with fundamentally different musical traditions. How is the collaboration affected by cultural biases inherent in the technology, and in the musicians themselves? These questions were examined through focus groups as part of two five-day workshops. Analysis shows how the musicians moved between an understanding of machine as tool and machine as co-creator, and between the idea of music as object and music as process. These different interpretative repertoires were used interchangeably and paint a complex picture of what it is like being in the intersection between different musical and cultural paradigms.

Bidragsytere

Notto Johannes Windju Thelle

  • Tilknyttet:
    Forfatter
    ved Makerspace ved OsloMet - storbyuniversitetet

Bernt Isak Grave Wærstad

  • Tilknyttet:
    Forfatter
    ved Institutt for musikk ved Norges teknisk-naturvitenskapelige universitet
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Resultatet er en del av Resultatet er en del av

Proceedings of the International Conference on New Interfaces for Musical Expression.

Ortiz, Miguel; Marquez-Borbon, Adnan. 2023, Vitenskapelig antologi/Konferanseserie
1 - 1 av 1