Sammendrag
When analyzing a piece of music we should take into consideration that it is also a work of art. This is easily forgotten when we are dealing with formalistic analytical procedures. On the other hand a musical analysis cannot be reduced to a purely aesthetic discourse. A musical analysis, worthy of its name, needs to be rooted in the musical text, not forgetting, however, that the text is only a representation of the work, and not the work itself. The way a musical work is understood in this article is largely based on Roman Ingarden's understanding of the concept. From this understanding of the work concept it is natural to draw some consequences with respect to our analytical practice. The article deals with some of these consequences.
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