Cristin-prosjekt-ID: 2508235
Sist endret: 2. september 2022, 10:48

Cristin-prosjekt-ID: 2508235
Sist endret: 2. september 2022, 10:48
Prosjekt

MEMORYWORK

prosjektleder

Merete Røstad
ved Avdeling Kunst og håndverk ved Kunsthøgskolen i Oslo

prosjekteier / koordinerende forskningsansvarlig enhet

  • Avdeling Kunst og håndverk ved Kunsthøgskolen i Oslo

Finansiering

  • Program for kunstnerisk utviklingsarbeid
    Prosjektkode: PKU-2021/10005

Klassifisering

Emneord

Performativitet • Representasjon • Koreografi • Kunst i offentlig rom • Minnearbeid • Offentlig sfære

Kategorier

Prosjektkategori

  • Program for kunstnerisk utviklingsarbeid

Kontaktinformasjon

Telefon
40589494
Sted
Merete Røstad

Tidsramme

Aktivt
Start: 29. mars 2021 Slutt: 1. oktober 2024

Beskrivelse Beskrivelse

Tittel

MEMORYWORK

Populærvitenskapelig sammendrag

MEMORYWORK is a platform for sharing interdisciplinary artistic research on performative memory work. The project is developed by artists with backgrounds in Choreography, Theatre, Performance Art and Art in Public Spaces.  

We ask questions about whose memories and which memories count, and how do we remember? Whose lives are afforded space?

Vitenskapelig sammendrag

MEMORYWORK is an interdisciplinary artistic research enquiry into the politics of remembrance and representation.​ We explore states of performative flux in which multiple temporalities, past, present and future, are entangled and coexist. Through probing into gaps or blind spots or unmarked wounds that affect us in the present (Phelan 1993), we artistically search for distinct ways to account for people’s location in history (Davis 2010: 149). We start from a critical research position that asks:   

Whose stories are heard, retold, and given attention? What are we doing with our agency and privilege to perform? What are reiterated and repurposed performatively through our artistic work?   

Our artistic concerns lie in the intangible structures that shape the way we perceive and remember the past and hence understand the world around us. The questioning is urgent both for the arts and society at large. Our performative art practices share with politics the entangled relationships between power and agency as they both become manifest through public representation (Franko 2006). As W. Benjamin argues, similar entanglements form our understanding of history: By capturing fleeting fragments of the past, we reimagine and narrate our history that shapes the future (Benjamin 1968). MEMORYWORK is preoccupied with this potential: the ways to reactivate and re-contextualize memory in public spheres.   

The project is situated in the intersection between Choreography and Public Art, informed by post-colonial and intersectional theory, historical materialism, psychoanalysis and ethnographic tools, while drawing on insights from Memory, Trauma and Performance Studies in its artistic investigation and exposition. Performatively, MEMORYWORK explores the means to make temporalities, memories and spaces coexist and publicly embodied.    

Merete Røstad and Per Roar initiated MEMORYWORK in collaboration with Sasa Asentic (Serbia/Germany), Manuel Pelmus (Norway/Romania), Eliot Moleba (South Africa), Solveig Styve Holte (Norway), Nayria Castillo (Venezuela/Austria), Ingri Fiksdal (Norway), Xavier Le Roy, Institute for Applied Theatre Studies in Giessen (France/Germany) and Myna Trustram (United Kingdom), Helena Elias, Faculty of Fine Arts Lisbon(Portugal).   

The project is supported by a group of experts who will thematically contribute to the critical discourse, contextualisation and dissemination. They include Suzana Milevska, Lars Ebert (H401), Boris Boden (Public Art and New Artistic Strategies, Bauhaus University, Weimar), Mary Jane Jacob (Institute for Curatorial Research and Practice, School of the Art Institute of Chicago, United States) and James E. Young, University of Massachusetts Amherst

Metode

MEMORYWORK comes out of research collaboration at Oslo National Academy of the Arts (KHIO) between the Dance and Art & Craft departments. The project involves an international group of artist-researchers, including research fellows at KHIO, as core members. They will use some of their individual artistic research projects as source material for the core activity in MEMORY WORK: a series of thematic Project Labs.  

In these Labs, the artist-researchers are joined by a group of associated research members based at different international institutions and other relevant guests and specialists. The Labs offer open events for staff and MA students at our institutions and the public at large. In addition, the Labs will operate as a generator for sharing knowledge and experiences, discussing strategies, developing artistic and discursive contributions, and disseminating results. The thematic Labs will be rendered artistically and discursively. This material builds the project’s repository, with various documentation of the artist-researchers individual projects and the research material collected on the theme.

prosjektdeltakere

prosjektleder
Aktiv cristin-person

Merete Røstad

  • Tilknyttet:
    Prosjektleder
    ved Avdeling Kunst og håndverk ved Kunsthøgskolen i Oslo

Manuel Pelmus

  • Tilknyttet:
    Prosjektdeltaker
    ved Avdeling Kunstakademiet ved Kunsthøgskolen i Oslo

Eliot Moleba

  • Tilknyttet:
    Prosjektdeltaker
    ved Avdeling Teaterhøgskolen ved Kunsthøgskolen i Oslo
Aktiv cristin-person

Solveig Styve Holte

  • Tilknyttet:
    Prosjektdeltaker
    ved Avdeling Dans ved Kunsthøgskolen i Oslo
Aktiv cristin-person

Per Roar

  • Tilknyttet:
    Prosjektdeltaker
    ved Avdeling Dans ved Kunsthøgskolen i Oslo
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Resultater Resultater

Repository-ethics, politics, and methodology of the AR archive.

Røstad, Merete. 2022, ARctic South. KHIOFaglig foredrag

MEMORYWORK.

Roar, Per; Røstad, Merete. 2022, Artistic research week 2022. KHIOAnnen presentasjon

Remembrance and Forgetting as Art Practice in the Public Sphere.

Røstad, Merete. 2020, PHD lab. KHIOAnnen presentasjon

Embodied sound Archive.

Røstad, Merete. 2020, Sites of Reckoning Symposium. KHIOFaglig foredrag

“The Participatory Monument: Remembrance and Forgetting as Art Practice in the Public Sphere.”.

Røstad, Merete. 2020, Sites of Reckoning: Memorials, Museums & Fractured Truth(s) in the Aftermaths of Mass Violence. KHIOFaglig foredrag
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